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Girls Will be Girls: Dressing Up, Playing Parts and Daring to Act Differently, by Emer O'Toole
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- Sales Rank: #2092580 in Books
- Published on: 2015-02-26
- Original language: English
- Dimensions: 8.46" h x .91" w x 5.51" l, 1.16 pounds
- Binding: Paperback
Most helpful customer reviews
4 of 4 people found the following review helpful.
Personae
By Kenneth W. Zeigler
A coworker once told me this personal anecdote about sitting on a bench at a zoo in front of the lion enclosure… A couple walked by with a little girl. The little girl pointed and cried in terror, “Ooo! Look at the lions!” Her parents replied, “Yes, the lions are scary, aren’t they?” A little later, a couple walked by with a little boy. The little boy pointed and cried in terror, “Ooo! Look at the lions!” His parents replied, “But we’re not afraid, are we?”
Emer O’Toole’s book Girls Will Be Girls: Dressing Up, Playing Parts and Daring to Act Differently sides with the notion that our gender identities are social constructs: we learn to rehearse and perform our gender roles. And performing is the operative theme. Chapter titles refer to performances: Rehearsing, Playing Dress-up, Out of Costume, Role Play, etc. (And Dr. O’Toole teaches Irish performance studies at Concordia University.)
In this philosophical/sociological treatise, the author analyzes the conflict and interaction between agency (one’s choices) and structure (society). She illustrates the conflict with stories from her life—her progression from a young girl committed to femininity to a young woman questioning her gender role performances—the reasons for them and their utility in the quest for happiness. One chapter describes her Halloween costumes over several years, presenting them in retrospect as experiments in gendered performances. In another chapter, she describes the relevant significance of some of her own sexual experiences. She presents herself on two occasions conversing with Aristotle, who has said that happiness is the only thing one can desire for its own sake. She points out to him that happiness can only be achieved if you can create a self that goes beyond the boundaries of the structure created by our society.
In describing her performances in real life fashioning a persona who goes beyond custom and bravely encouraging us all to do it, Emer O’Toole is a philosopher, an activist, and an artist who is herself a performer—and in that sense she seems to me the greatest thing since Frida Kahlo—in the sense that Frida Kahlo’s oeuvre, like Emer O’Toole’s, included her lifestyle, her activism, and her persona. Girls Will Be Girls is delightful to read, courageous, seriously unique, and beyond edifying: it is inspirational.
0 of 0 people found the following review helpful.
Personae
By Kenneth W. Zeigler
A coworker once told me this personal anecdote about sitting on a bench at a zoo in front of the lion enclosure… A couple walked by with a little girl. The little girl pointed and cried in terror, “Ooo! Look at the lions!” Her parents replied, “Yes, the lions are scary, aren’t they?” A little later, a couple walked by with a little boy. The little boy pointed and cried in terror, “Ooo! Look at the lions!” His parents replied, “But we’re not afraid, are we?”
Emer O’Toole’s book Girls Will Be Girls: Dressing Up, Playing Parts and Daring to Act Differently sides with the notion that our gender identities are social constructs: we learn to rehearse and perform our gender roles. And performing is the operative theme. Chapter titles refer to performances: Rehearsing, Playing Dress-up, Out of Costume, Role Play, etc. (And Dr. O’Toole teaches Irish performance studies at Concordia University.)
In this philosophical/sociological treatise, the author analyzes the conflict and interaction between agency (one’s choices) and structure (society). She illustrates the conflict with stories from her life—her progression from a young girl committed to femininity to a young woman questioning her gender role performances—the reasons for them and their utility in the quest for happiness. One chapter describes her Halloween costumes over several years, presenting them in retrospect as experiments in gendered performances. In another chapter, she describes the relevant significance of some of her own sexual experiences. She presents herself on two occasions conversing with Aristotle, who has said that happiness is the only thing one can desire for its own sake. She points out to him that happiness can only be achieved if you can create a self that goes beyond the boundaries of the structure created by our society.
In describing her performances in real life fashioning a persona who goes beyond custom and bravely encouraging us all to do it, Emer O’Toole is a philosopher, an activist, and an artist who is herself a performer—and in that sense she seems to me the greatest thing since Frida Kahlo—in the sense that Frida Kahlo’s oeuvre, like Emer O’Toole’s, included her lifestyle, her activism, and her persona. Girls Will Be Girls is delightful to read, courageous, seriously unique, and beyond edifying: it is inspirational.
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