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The Conjure Woman and Other Conjure Tales, by Charles W. Chesnutt
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The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work.
In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman.
Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
- Sales Rank: #1757708 in eBooks
- Published on: 2012-10-01
- Released on: 2012-10-01
- Format: Kindle eBook
Review
"Finally, we have Charles W. Chesnutt's conjure woman stories as he wrote them, not as Houghton Mifflin edited them. This collection is a landmark in American literary publishing for it helps us to understand the pressures exerted upon all authors and especially on African American writers. More important, these wonderful stories are now available to a new generation of readers."—Cathy N. Davidson
"The publication of the conjure tales of Chesnutt constituted a crucial development in the history of African American [literature]. Yet up to now no one has attempted to do what Brodhead has done--namely, collect all the stories in this vein and publish them with an introduction that explains their import individually, serially, and as a collection. . . . His introduction augments the best scholarship that's been done on Chesnutt with his own broad expertise in the history of American fiction and his acute readings of individual Chesnutt tales."—William L. Andrews, University of Kansas
From the Back Cover
"Finally, we have Charles W. Chesnutt's conjure woman stories as he wrote them, not as Houghton Mifflin edited them. This collection is a landmark in American literary publishing for it helps us to understand the pressures exerted upon all authors and especially on African American writers. More important, these wonderful stories are now available to a new generation of readers."--Cathy N. Davidson
About the Author
Charles Waddell Chesnutt (1858–1932) was an American author, essayist, political activist and lawyer, best known for his novels and short stories exploring complex issues of racial and social identity in the post-Civil War South, where the legacy of slavery and interracial relations had resulted in many free people of color who had attained education before the war, as well as slaves and freedmen of mixed race. Two of his books were adapted as silent films in 1926 and 1927 by the director and producer Oscar Micheaux. Chesnutt also established what became a highly successful legal stenography business that provided his main income.
Most helpful customer reviews
22 of 23 people found the following review helpful.
A wonderful story and an important work of literature
By Kristen Beck
Charles Chestnutt's A Conjure Woman is a collection of short stories told by a former slave named Julius to a White couple who have recently moved to the South. Written at the turn of the century, Chestnutt was addressing a primarily White audience who were recovering from Reconstruction and were fond of plantation-style literature which looked upon slavery with nostalgia. On the surface, the author seems to be catering to the nostalgic pre-Civil War idea, but in actuality, Julius' stories have a much deeper moral which reveal a harsh and terrible way of life for Blacks of the time. Mixed with elements of magic and conjuring, Julius' seems to be telling fanciful fairy tales, but with a closer look, one realizes that Chestnutt has no fondness or nostalgia for the times of slavery. This is a well-written and thought-provoking book and it is an important novel of America's history.
6 of 6 people found the following review helpful.
A must for anyone interested in African American Literature
By dandeliondreamer
What is most interesting about these stories is both the narrative framework & the way the narrator of the stories about the black community (there are essentially two narrators) uses magic ("The Goophered Grapevine" and "Po' Sandy" especially) to usurp the authority of the white landowner (the primary narrator, who is re-telling the stories Julius has told him). Maybe it takes an understanding of African American literary traditions-- signifying, call & response, etc, to really dig in, but you can still relate without that background.
There are multiple layers of narration going on-- and once you can get through those layers, you can both enjoy the story-line and understand something pivotal about the way the African American genre works. The dialect and speech patterns are represented in a way that was criticized by some early African American writers who wanted a more "realistic" "naturalistic" and political structure. But underneath the "quaint" nature of the stories about magic & the slave/master relationship are some very subtle and very powerful images of how the slave and master influence *each other*-- that there are differences in the power dynamic than what we expect. It might be hard to get into the language-- but once you do, it's not overdone. Read the dialect the way you would learn another language; it's English, with a twist. There is also a great story on "passing," and some exploration of voodoo. This is a text that should be taught alongside Faulkner & Flannery O'Connor-- another look at the South.
9 of 11 people found the following review helpful.
"General Books LLC" is a Misleading Scam, not a proper publisher.
By M. Richardson
N.B.: The 1-star applies to this edition, not to "The Conjure Woman," which is one of the best books to have emerged from the 1890s. And if I could give 0 stars to General Books LLC editions, or negative stars, I would.
Buyer beware: All "books" published by General Books LLC are not really "books" at all. They are automatically (and very badly) produced via OCR software from digital scans of old public domain editions. On nearly every page you will find egregious, ridiculous misprints, and flat-out gibberish, with the result that the "book" is unreadable. (That's why when you click the "Look Inside" feature above, you'll actually be redirected to a "real" edition of the book. General Books LLC doesn't want you to see their product until you buy it, because they know that if you see it, you won't buy it.) In fact, as General Books LLC all but admits, the things they sell here on Amazon are actually marketing devices designed to induce the unwary to subscribe to a service they do not need. Charging [...] for this thing is a scandal.
Read closely the disclaimer that General Books LLC adds to the page for this so-called edition: "The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: African Americans; Southern States; American fiction/ Afro-American authors; Short stories; African Americans Southern States Fiction; Fiction / Literary; Fiction / General; Literary Criticism / American / General; Social Science / Ethnic Studies / African American Studies; Fiction / Action."
"Without charge" is misleading, to put it mildly. Open the front cover of a book produced by General Books LLC and you will find yet another disclaimer: "Could you please forgive any spelling mistakes, missing or extraneous characters...?" Then you are directed to the company's web-site, which asks for your credit card or PayPal information to begin, at the rate of [...] per month, a "subscription" to books that are freely available in the public domain. Which means you can get them for free at web-sites like Project Gutenberg, the Internet Archive, and Google Books.
For example, drop this URL into your browser and you will be taken to a freely downloadable copy of the first edition of "The Conjure Woman" (1899):
[...]
Incidentally, I know all this because my university accidentally ordered this ridiculous product instead of the scholarly edition I had specified for use in my classes (I am a professor of American literature).
Amazon, in my opinion, should not allow companies like this one to sell their products.
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